Some time ago I was working on a piece, and then I came across the rabatment framework reading a book about Maurice Noble. It more or less fit the composition I had put together, but improved it a lot and even helped figure out some parts that weren't working.
I guess a good way to go about it is how Noble approached using references: look at it, but put it away when you're drawing – at least at first. Then sure, look at it again, fix what needs to be fixed. This way you balance both structure and spontaneity.
Some time ago I was working on a piece, and then I came across the rabatment framework reading a book about Maurice Noble. It more or less fit the composition I had put together, but improved it a lot and even helped figure out some parts that weren't working.
I guess a good way to go about it is how Noble approached using references: look at it, but put it away when you're drawing – at least at first. Then sure, look at it again, fix what needs to be fixed. This way you balance both structure and spontaneity.
I’m not familiar with that, I’ll check it out. I just need a little structure so I don’t put things all over randomly.
Hi Bob,
How much time do you usually allocate to writing and drawing picture books?
Thank you for the bit about dynamic symmetry!
R.D.
Like in a day? I usually write in the early morning and do illustration until lunch at around 1:30. Depends on what I have going on .
That is great discipline. I admire your work ethic.
Thank you!
R.D.
It depends on what I have on the schedule too. But mornings are best for me.